An apostrophe should not be used because it is not a mark of plural,
even for initialisms. This involves mostly comments, but a few UI
messages are affected as well.
Differential Revision: https://developer.blender.org/D16749
Actually, the interpolation can be done only between keyframes different of breakdown type,
but in some cases, this is not convenient.
Now, a new option is displayed to allow the interpolation using breakdown keyframes
as interpolation extremes.
Reviewed By: mendio, pepeland
Differential Revision: https://developer.blender.org/D16515
The auto-masking was working by Brush and this was very
inconvenient because it was necessary set the options by
Brush, now the options are global and can be set at once.
Also, the automa-masking now works with `and` logic
and not with `or` as before. That means that a stroke
must meet all the conditions of the masking.
Added new Layer and Material options to masking the
strokes using the same Layer/Material of the selected stroke.
Before, only Active Layer and Active Material could be masked.
The options of masking has been moved to the top-bar using
the same design of Mesh Sculpt masking.
As result of the changes above, the following props changed:
Removed:
`brush.gpencil_settings.use_automasking_strokes`
`brush.gpencil_settings.use_automasking_layer`
`brush.gpencil_settings.use_automasking_material`
Added:
`tool_settings.gpencil_sculpt.use_automasking_stroke`
`tool_settings.gpencil_sculpt.use_automasking_layer_stroke`
`tool_settings.gpencil_sculpt.use_automasking_material_stroke`
`tool_settings.gpencil_sculpt.use_automasking_layer_active`
`tool_settings.gpencil_sculpt.use_automasking_material_active`
Reviewed by: Julien Kaspar, Matias Mendiola, Daniel Martinez Lara
Previously, the Blender video renderer did not have support for
encoding video to AV1 (not to be confused with the container AVI).
The proposed solution is to leverage the existing FFMpeg renderer
to encode to AV1.
Note that avcodec_find_encoder(AV_CODEC_ID_AV1) usually returns
"libaom-av1" which is the "reference implementation" for AV1 encoding
(the default for FFMpeg, and is slow). "libsvtav1" is faster and
preferred so there is extra handling when fetching the AV1 codec for
encoding such that "libsvtav1" is used when possible.
This commit should only affect the options available for video
rendering, which includes the additional AV1 codec to choose from, and
setting "-crf".
Also note that the current release of FFMpeg for ArchLinux does not
support "-crf" for "libsvtav1", but the equivalent option "-qp" is
supported and used as a fallback when "libsvtav1" is used (as
mentioned here: https://trac.ffmpeg.org/wiki/Encode/AV1#SVT-AV1 ).
(Actually, both "-crf" and "-qp" is specified with the same value in
the code. When a release of FFMpeg obtains support for "-crf" for
"libsvtav1" is released, the code shouldn't be needed to change.)
The usage of the AV1 codec should be very similar to the usage of the
H264 codec, but is limited to the "mp4" and "mkv" containers.
This patch pertains to the "VFX & Video" module, as its main purpose
is to supplement the Video Sequencer tool with the additional AV1
codec for encoded video output.
Differential Revision: https://developer.blender.org/D14920
Reviewed By: sergey , ISS, zeddb
The attribute node already allows accessing attributes associated
with objects and meshes, which allows changing the behavior of the
same material between different objects or instances. The same idea
can be extended to an even more global level of layers and scenes.
Currently view layers provide an option to replace all materials
with a different one. However, since the same material will be applied
to all objects in the layer, varying the behavior between layers while
preserving distinct materials requires duplicating objects.
Providing access to properties of layers and scenes via the attribute
node enables making materials with built-in switches or settings that
can be controlled globally at the view layer level. This is probably
most useful for complex NPR shading and compositing. Like with objects,
the node can also access built-in scene properties, like render resolution
or FOV of the active camera. Lookup is also attempted in World, similar
to how the Object mode checks the Mesh datablock.
In Cycles this mode is implemented by replacing the attribute node with
the attribute value during sync, allowing constant folding to take the
values into account. This means however that materials that use this
feature have to be re-synced upon any changes to scene, world or camera.
The Eevee version uses a new uniform buffer containing a sorted array
mapping name hashes to values, with binary search lookup. The array
is limited to 512 entries, which is effectively limitless even
considering it is shared by all materials in the scene; it is also
just 16KB of memory so no point trying to optimize further.
The buffer has to be rebuilt when new attributes are detected in a
material, so the draw engine keeps a table of recently seen attribute
names to minimize the chance of extra rebuilds mid-draw.
Differential Revision: https://developer.blender.org/D15941
Previously it would bake viewed from above the surface. The new option can be
useful when the baked result is meant to be viewed from a fixed viewpoint or
with limited camera motion.
Some effort is made to give a continuous reflection on parts of the surface
invisible to the camera, but this is necessarily only a rough approximation.
Differential Revision: https://developer.blender.org/D15921
Two new normal-based automasking modes.
The first mode, "brush", compares vertex normals with the initial
normal at the beginning of the brush stroke.
The second, "view", compares vertex normals with the view normal.
If "occlusion" is on then rays will be shot from each vertex to test
if it is occluded by other geometry (note: this can be very slow).\
Only geometry inside the sculpt mesh is considered.
Each mode has an associated angular limit and a falloff.
Reviewed by: Julien Kaspar and Jeroen Bakker
Differential Revision: https://developer.blender.org/D15297
Ref D15297
Add new cavity automasking mode based on local mesh
curvature. Cavity masking is a great way to quickly add
detail in crevices and the like. It's meant to be used
with the Paint brush in color attribute mode. It does
work with other brushes but the results can be unpredictable.
{F13131497}
The old "dirty mask" operator has been replace with a new
"mask from cavity" operator that shares the same code with
cavity automasking.
Differences from the sculpt-dev implementation:
* It uses the word "cavity." When I first implemented
this I wasn't aware
this feature existed in other software (and other
paint modes in Blender),
and for reasons that escape me today I initially
decided to call it a concave or
concavity mask.
* The cavity factor works a bit differently. It's
no longer non-linear and functions as a simple
scale around 0.5f.
* Supports custom curves.
* Supports blurring.
Reviewed By: Julian Kaspar, Jeroen Bakker and Campbell Barton
Differential Revision: https://developer.blender.org/D15122
Ref D15122
This change adds cryptomatte render passes to EEVEE-Next. Due to the upcoming viewport
compositor we also improved cryptomatte so it will be real-time. This also allows viewing
the cryptomatte passes in the viewport directly.
{F13482749}
A surface shader would store any active cryptomatte layer to a texture. Object hash is stored
as R, Asset hash as G and Material hash as B. Hashes are only calculated when the cryptomatte
layer is active to reduce any unneeded work.
During film accumulation the hashes are separated and stored in a texture array that matches
the cryptomatte standard. For the real-time use case sorting is skipped. For final rendering
the samples are sorted and normalized.
NOTE: Eventually we should also do sample normalization in the viewport in order to extract the correct
mask when using the viewport compositor.
Reviewed By: fclem
Maniphest Tasks: T99390
Differential Revision: https://developer.blender.org/D15753
Removes the following macros for scene/render frame values:
- `CFRA`
- `SUBFRA`
- `SFRA`
- `EFRA`
These macros don't add much, other than saving a few characters when typing.
It's not immediately clear what they refer to, they just hide what they
actually access. Just be explicit and clear about that.
Plus these macros gave read and write access to the variables, so eyesores like
this would be done (eyesore because it looks like assigning to a constant):
```
CFRA = some_frame_nbr;
```
Reviewed By: sergey
Differential Revision: https://developer.blender.org/D15311
This commit adds a new face nearest snapping mode, adds new snapping
options, and (lightly) refactors code around snapping.
The new face nearest snapping mode will snap transformed geometry to the
nearest surface in world space. In contrast, the original face snapping
mode uses projection (raycasting) to snap source to target geometry.
Face snapping therefore only works with what is visible, while nearest
face snapping can snap geometry to occluded parts of the scene. This new
mode is critical for retopology work, where some of the target mesh
might be occluded (ex: sliding an edge loop that wraps around the
backside of target mesh).
The nearest face snapping mode has two options: "Snap to Same Target"
and "Face Nearest Steps". When the Snap to Same Object option is
enabled, the selected source geometry will stay near the target that it
is nearest before editing started, which prevents the source geometry
from snapping to other targets. The Face Nearest Steps divides the
overall transformation for each vertex into n smaller transformations,
then applies those n transformations with surface snapping interlacing
each step. This steps option handles transformations that cross U-shaped
targets better.
The new snapping options allow the artist to better control which target
objects (objects to which the edited geometry is snapped) are considered
when snapping. In particular, the only option for filtering target
objects was a "Project onto Self", which allowed the currently edited
mesh to be considered as a target. Now, the artist can choose any
combination of the following to be considered as a target: the active
object, any edited object that isn't active (see note below), any non-
edited object. Additionally, the artist has another snapping option to
exclude objects that are not selectable as potential targets.
The Snapping Options dropdown has been lightly reorganized to allow for
the additional options.
Included in this patch:
- Snap target selection is more controllable for artist with additional
snapping options.
- Renamed a few of the snap-related functions to better reflect what
they actually do now. For example, `applySnapping` implies that this
handles the snapping, while `applyProject` implies something entirely
different is done there. However, better names would be
`applySnappingAsGroup` and `applySnappingIndividual`, respectively,
where `applySnappingIndividual` previously only does Face snapping.
- Added an initial coordinate parameter to snapping functions so that
the nearest target before transforming can be determined(for "Snap to
Same Object"), and so the transformation can be broken into smaller
steps (for "Face Nearest Steps").
- Separated the BVH Tree getter code from mesh/edit mesh to its own
function to reduce code duplication.
- Added icon for nearest face snapping.
- The original "Project onto Self" was actually not correct! This option
should be called "Project onto Active" instead, but that only matters
when editing multiple meshes at the same time. This patch makes this
change in the UI.
Reviewed By: Campbell Barton, Germano Cavalcante
Differential Revision: https://developer.blender.org/D14591
The transformation snapping code contains a bunch of `#define`s, some ambiguously or incorrectly named attributes. This patch contains refactored code to improve this. This patch does (should) not change functionality of snapping.
Clarified ambiguously / incorrectly named attributes.
- "Target" is used to refer to the part of the source that is to be snapped (Active, Median, Center, Closest), but several other areas of Blender use the term "target" to refer to the thing being snapped to and "source" to refer to the thing getting snapped. Moreover, the implications of the previous terms do not match the descriptions. For example: `SCE_SNAP_TARGET_CENTER` does not snap the grabbed geometry to the center of the target, but instead "Snap transforamtion center onto target".
- "Select" refers to the condition for an object to be a possible target for snapping.
- `SCE_SNAP_MODE_FACE` is renamed to `SCE_SNAP_MODE_FACE_RAYCAST` to better describe its affect and to make way for other face snapping methods (ex: nearest).
Refactored related `#define` into `enum`s. In particular, constants relating to...
- `ToolSettings.snap_flag` are now in `enum eSnapFlag`
- `ToolSettings.snap_mode` are now in `enum eSnapMode`
- `ToolSettings.snap_source` (was `snap_target`) are now in `enum eSnapSourceSelect`
- `ToolSettings.snap_flag` (`SCE_SNAP_NO_SELF`) and `TransSnap.target_select` are now in `enum eSnapTargetSelect`
As the terms became more consistent and the constants were packed together into meaningful enumerations, some of the attribute names seemed ambiguous. For example, it is unclear whether `SnapObjectParams.snap_select` referred to the target or the source. This patch also adds a small amount of clarity.
This patch also swaps out generic types (ex: `char`, `short`, `ushort`) and unclear hard coded numbers (ex: `0`) used with snap-related enumerations with the actual `enum`s and values.
Note: I did leave myself some comments to follow-up with further refactoring. Specifically, using "target" and "source" consistently will mean the Python API will need to change (ex: `ToolSettings.snap_target` is not `ToolSettings.snap_source`). If the API is going to change, it would be good to make sure that the used terms are descriptive enough. For example, `bpy.ops.transform.translate` uses a `snap` argument to determine if snapping should be enabled while transforming. Perhaps `use_snap` might be an improvement that's more consistent with other conventions.
This patch is (mostly) a subset of D14591, as suggested by @mano-wii.
Task T69342 proposes to separate the `Absolute Grid Snap` option out from `Increment` snapping method into its own method. Also, there might be reason to create additional snapping methods or options. (Indeed, D14591 heads in this direction). This patch can work along with these suggestions, as this patch is trying to clarify the snapping code and to prompt more work in this area.
Reviewed By: mano-wii
Differential Revision: https://developer.blender.org/D15037
This implements transform modes for the transform tool and Elastic
Transform. This mode uses the Kelvinlets from elastic deform to apply
the transformation to the mesh, using the cursor radius to control the
elasticity falloff.
{F9269771}
In order for this to work, the transform tool uses incremental mode when
elastic transform is enabled. This allows to integrate the displacement of
the Kelvinet in multiple steps.
Review By: Sergey Sharbin & Daniel Bystedt & Julian Kaspar & Campbell
Barton
Differential Revision: https://developer.blender.org/D9653
Ref D15041
We really need to fix how unprojected radius (scene unit) works.
What happened is the paint code updates the brush's normal radius
with the current unprojected pixel radius, which was then
used by texture brush tiled mode.
To fix this I just cached the pixel radius at stroke start in
UnifiedPaintSettings->start_pixel_radius.
This patch contains an initial pixel extractor for PBVH and an initial paint brush implementation.
PBVH is an accelleration structure blender uses internally to speed up 3d painting operations.
At this moment it is extensively used by sculpt, vertex painting and weight painting.
For the 3d texturing brush we will be using the PBVH for texture painting.
Currently PBVH is organized to work on geometry (vertices, polygons and triangles).
For texture painting this should be extended it to use pixels.
{F12995467}
Screen recording has been done on a Mac Mini with a 6 core 3.3 GHZ Intel processor.
# Scope
This patch only contains an extending uv seams to fix uv seams. This is not actually we want, but was easy to add
to make the brush usable.
Pixels are places in the PBVH_Leaf nodes. We want to introduce a special node for pixels, but that will be done
in a separate patch to keep the code review small. This reduces the painting performance when using
low and medium poly assets.
In workbench textures aren't forced to be shown. For now use Material/Rendered view.
# Rasterization process
The rasterization process will generate the pixel information for a leaf node. In the future those
leaf nodes will be split up into multiple leaf nodes to increase the performance when there
isn't enough geometry. For this patch this was left out of scope.
In order to do so every polygon should be uniquely assigned to a leaf node.
For each leaf node
for each polygon
If polygon not assigned
assign polygon to node.
Polygons are to complicated to be used directly we have to split the polygons into triangles.
For each leaf node
for each polygon
extract triangles from polygon.
The list of triangles can be stored inside the leaf node. The list of polygons aren't needed anymore.
Each triangle has:
poly_index.
vert_indices
delta barycentric coordinate between x steps.
Each triangle is rasterized in rows. Sequential pixels (in uv space) are stored in a single structure.
image position
barycentric coordinate of the first pixel
number of pixels
triangle index inside the leaf node.
During the performed experiments we used a fairly simple rasterization process by
finding the UV bounds of an triangle and calculate the barycentric coordinates per
pixel inside the bounds. Even for complex models and huge images this process is
normally finished within 0.5 second. It could be that we want to change this algorithm
to reduce hickups when nodes are initialized during a stroke.
Reviewed By: brecht
Maniphest Tasks: T96710
Differential Revision: https://developer.blender.org/D14504
This patch adds color attributes to TexPaintSlot. This allows an easier selection
when painting color attributes.
Previously when selecting a paint tool the user had to start a stroke, before the
UI reflected the correct TexPaintSlot. Now when switching the slot the active
tool is checked and immediate the UI is drawn correctly.
In the future the canvas selector will also be used to select an image or image texture node
to paint on. Basic implementation has already been done inside this patch.
A limitation of this patch is that is isn't possible anymore to rename images directly from
the selection panel. This is currently allowed in master. But as CustomDataLayers
aren't ID fields and not owned by the material supporting this wouldn't be easy.
{F12953989}
In the future we should update the create slot operator to also include color attributes.
Sources could also be extended to use other areas of the object that use image textures
(particles, geom nodes, etc... ).
Reviewed By: brecht
Maniphest Tasks: T96709
Differential Revision: https://developer.blender.org/D14455
This merely adds the flag, exposes it in RMA, and uses it in some of the
most common 'is editable' checks (RNA, `BASE_EDITABLE` macro...).
Next step: do_version and defining systemoverrides at creation.
Ref: {T95707}.
This is meant to allow using C++ data structures in this file
as a performance improvement. Particularly `Vector` instead
of `ListBase` for `duplilist`. This change builds and passes
tests on all platforms on the buildbot.
Currently only supports single image frames (no animation possible).
If quality slider is set to 100 then lossless compression will be used,
otherwise lossy compression is used.
Gives about 35% reduction of filesize save when re-saving splash screens with lossless
compression.
Also saves much faster, up to 15x faster than PNG with a better compression ratio as a plus.
Note, this is currently left disabled until we have WebP libs (see T95206)
For testing precompiled libs can be downloaded from Google:
https://storage.googleapis.com/downloads.webmproject.org/releases/webp/index.html
Differential Revision: https://developer.blender.org/D1598
The Output Properties > Output panel now has a Color Management subpanel to
override scene settings. When set to Override instead of Follow Scene, there
are settings to:
* For OpenEXR, choose a (linear) colorspace for RGBA passes
* For other file formats, use different display/view/look/exposure/gamma
These settings affect animation render output, image save of renders and the
compositor file output node. Additionally, the image save operator and
compositor file output nodes also support overriding color management.
Includes some layout changes to the relevant panels to accomdate the new
settings and to improve consistency. Ideally subpanels would be used to better
organize these settings, however nodes and operators don't currently support
creating subpanels.
Differential Revision: https://developer.blender.org/D14402
This adds a new Add brush for the new curves object type in sculpt mode.
The brush is used to insert new curves (typically hair) on the surface object.
Supported features:
* Add single curve exactly at the cursor position when `Add Amount` is 1.
* Front faces only.
* Independent interpolate shape and interpolate length settings.
* Smooth and flat shading affects curve shape interpolation.
* Spherical and projection brush.
This also adds the `surface_triangle_index` and `surface_triangle_coordinate`
attributes. Those store information about what position on the surface each
added curve is attached to:
* `surface_triangle_index` (`int`): Index of the internal triangle that a curve
is attached to. `-1` when the curve is not attached to the surface.
* `surface_triangle_coordinate` (`float2`): First two numbers of a barycentric
coordinate that reference a specific position within the triangle.
Ref T96444.
Differential Revision: https://developer.blender.org/D14340
Also fixes missing code to read/write/free/copy color management settings
in various places. This can't be set through the UI currently, but still
should be handled consistently.
`3DView`'s `use_snap` option has little or nothing to do with using
snapping in `UV`, `Nodes` or `Sequencer`.
So there are no real advantages to keeping these options in sync.
Therefore, individualize the option to use snap for each "spacetype".
Reviewed By: brecht
Differential Revision: https://developer.blender.org/D13310
This adds a prototype for the first brush that can add new curves by
painting on a surface. Note that this can only be used when the curves
object has a surface object set in the properties panel.
The brush can take minimum distance into account. This allows
distributing curves with a somewhat consistent density.
Differential Revision: https://developer.blender.org/D14207
In ffmpeg 5.0, several variables were made const to try to prevent bad API usage.
Removed some dead code that wasn't used anymore as well.
Reviewed By: Richard Antalik
Differential Revision: http://developer.blender.org/D14063
This adds the boilerplate code that is necessary to use the tool/brush/paint
systems in the new sculpt curves mode.
Two temporary dummy tools are part of this patch. They do nothing and
only serve to test the boilerplate. When the first actual tool is added,
those dummy tools will be removed.
Differential Revision: https://developer.blender.org/D14117
Having this setting stored in the image space caused low level selection
logic to have to pass around the image space (which could be NULL
in some cases). Use the tool-settings instead since there doesn't seem
to be much/any advantage in having this setting per-space.
Use a shorter/simpler license convention, stops the header taking so
much space.
Follow the SPDX license specification: https://spdx.org/licenses
- C/C++/objc/objc++
- Python
- Shell Scripts
- CMake, GNUmakefile
While most of the source tree has been included
- `./extern/` was left out.
- `./intern/cycles` & `./intern/atomic` are also excluded because they
use different header conventions.
doc/license/SPDX-license-identifiers.txt has been added to list SPDX all
used identifiers.
See P2788 for the script that automated these edits.
Reviewed By: brecht, mont29, sergey
Ref D14069
This significantly reduces discontinuities on UV seams, by giving a better
match of the texture filtered colors on both sides of the seam. It works by
using pixels from adjacent faces across the UV seam.
This new option is called "Adjacent Faces" and is the default. The old option
is called "Extend", and extends border pixels outwards.
Differential Revision: https://developer.blender.org/D13303
Differentiate doc-strings from title/section text.
Also use explicit doxygen references to struct members
so it's not ambiguous which member is being referenced.
Note that these changes aren't complete (some files weren't touched).
The main goal of this refactor is to make BPath module use `IDTypeInfo`,
and move each ID-specific part of the `foreach_path` looper into their
own IDTypeInfo struct, using a new `foreach_path` callback.
Additionally, following improvements/cleanups are included:
* Attempt to get better, more consistent namings.
** In particular, move from `path_visitor` to more standard `foreach_path`.
* Update and extend documentation.
** API doc was moved to header, according to recent discussions on this
topic.
* Remove `BKE_bpath_relocate_visitor` from API, this is specific
callback that belongs in `lib_id.c` user code.
NOTE: This commit is expected to be 100% non-behavioral-change. This
implies that several potential further changes were only noted as
comments (like using a more generic solution for
`lib_id_library_local_paths`, addressing inconsistencies like path of
packed libraries always being skipped, regardless of the
`BKE_BPATH_FOREACH_PATH_SKIP_PACKED` `eBPathForeachFlag` flag value,
etc.).
NOTE: basic unittests were added to master already in
rBdcc500e5a265093bc9cc.
Reviewed By: brecht
Differential Revision: https://developer.blender.org/D13381
Implements T89789, T89792, custom grid (described as dynamic grid in
T78389) and UV grid snapping (T78391)
Replaces the default UV editor grid with 2 new types of grid :
* Custom grid: Allows the user to create an NxN grid, where the value
of N is specified by the user.
* Subdividing grid: Subdivides the UV editor grid when the user
zooms in the viewport and vice versa when zooming out.
UV snapping improvements :
* Increment snapping: Increment values for snapping are calculated based
on which grid type is being used in the UV editor
(subdividing or custom). In general the increment value is equal to
the distance between 2 visible grid lines.
* Absolute grid snap: New toggle added to increment snapping option in
the UV editor, allows UV grid snapping during translation.
Reviewed By: campbellbarton
Ref D12684
This includes much improved GPU rendering performance, viewport interactivity,
new shadow catcher, revamped sampling settings, subsurface scattering anisotropy,
new GPU volume sampling, improved PMJ sampling pattern, and more.
Some features have also been removed or changed, breaking backwards compatibility.
Including the removal of the OpenCL backend, for which alternatives are under
development.
Release notes and code docs:
https://wiki.blender.org/wiki/Reference/Release_Notes/3.0/Cycleshttps://wiki.blender.org/wiki/Source/Render/Cycles
Credits:
* Sergey Sharybin
* Brecht Van Lommel
* Patrick Mours (OptiX backend)
* Christophe Hery (subsurface scattering anisotropy)
* William Leeson (PMJ sampling pattern)
* Alaska (various fixes and tweaks)
* Thomas Dinges (various fixes)
For the full commit history, see the cycles-x branch. This squashes together
all the changes since intermediate changes would often fail building or tests.
Ref T87839, T87837, T87836
Fixes T90734, T89353, T80267, T80267, T77185, T69800
Add tools for image manipulation in sequencer preview region.
This includes:
- Translate, rotate and resize operators, tools and gizmos
- Origin for image transformation
- Median point and individual origins pivot modes
- Select and Box select operator works in preview
- Image overlay drawing
ref T90156
Reviewed By: campbellbarton
Differential Revision: https://developer.blender.org/D12105
Add mode to overwrite strips on overlap instead of resolving overlap.
When overlap is created, 3 things can happen:
- On partial overlap, handles of overlapped strip are moved
- On complete overlap with smaller strip, overlapped strip is split
- On complete overlap with larger strip, overlapped strip is removed
This mode can be enabled in header.
Reviewed By: fsiddi, mano-wii
Differential Revision: https://developer.blender.org/D11805
Previously, this option was not exposed in the UI, only for the clip editor.
There were also multiple rna properties that did the same thing for each of the 2D editors.
There was also an issue where the property enum items were the same as the 3d view which didnt make much sense.
Reviewed By: antoniov
Differential Revision: https://developer.blender.org/D12027
Use "Snap Playhead to Strips" option to enable playhead snapping.
Change behavior of CTRL key to invert snapping similar to transform operator.
Currently this option is disabled by default. It makes editing quite unpleasant
for me personally, but ideally I should gather feedback from more users.
Reviewed By: campbellbarton
Differential Revision: https://developer.blender.org/D11745
Change snapping behavior to snap strip edges when they are close to snap point.
Default behavior is, that each transformed strip is snapped to any other strip.
Implement snapping controls in sequencer tool settings. These controls include:
- Snapping on/off
- Ability to snap to playhead and strip hold offset points
- Filter snap points by excluding sound or muted strips
- Control snapping distance
Snapping controls are placed in timeline header similar to 3D viewport
Reviewed By: mano-wii
Differential Revision: https://developer.blender.org/D11646
Following with the changes included to interpolate strokes of different number of points, a full review has been done in the interpolation tools.
* Interpolate now is a tool and not an operator. It was not logic to have this tool as a button.
* Interpolate tool parameters have been moved to topbar.
* Interpolate popover has been removed from topbar and interpolate `Sequence` operator has been moved to grease pencil menu.
* Interpolate Sequence now include a Redo panel.
* Interpolate tool now allows to select the strokes by pairs. This allows to interpolate any stroke with any stroke and not as before that it was only possible by drawing order. If no stroke is selected, the interpolation is done as before.
* Now is possible interpolate again if a previous keyframe exist. Before, it was impossible to interpolate two times in same frame and this made impossible to do the interpolation by groups of frames.
* New automatic option to `Flip strokes` if the stroke and end are not in the right position. Also the flip can be set manually for corner cases.
* Cleanup of menus related to interpolate.
* Fixed some bugs and removed parameters from scene because now all are tool or operator contained.
* Some code cleanup and function renames.
This commit also includes the some codebase to future implementation of the concept `Vertex Active` that now does not exist in grease pencil.
This is a complete refactor over the old system. The goal was to increase quality
first and then have something more flexible and optimised.
|{F9603145} | {F9603142}|{F9603147}|
This fixes issues we had with the old system which were:
- Too much overdraw (low performance).
- Not enough precision in render targets (hugly color banding/drifting).
- Poor resolution near in-focus regions.
- Wrong support of orthographic views.
- Missing alpha support in viewport.
- Missing bokeh shape inversion on foreground field.
- Issues on some GPUs. (see T72489) (But I'm sure this one will have other issues as well heh...)
- Fix T81092
I chose Unreal's Diaphragm DOF as a reference / goal implementation.
It is well described in the presentation "A Life of a Bokeh" by Guillaume Abadie.
You can check about it here https://epicgames.ent.box.com/s/s86j70iamxvsuu6j35pilypficznec04
Along side the main implementation we provide a way to increase the quality by jittering the
camera position for each sample (the ones specified under the Sampling tab).
The jittering is dividing the actual post processing dof radius so that it fills the undersampling.
The user can still add more overblur to have a noiseless image, but reducing bokeh shape sharpness.
Effect of overblur (left without, right with):
| {F9603122} | {F9603123}|
The actual implementation differs a bit:
- Foreground gather implementation uses the same "ring binning" accumulator as background
but uses a custom occlusion method. This gives the problem of inflating the foreground elements
when they are over background or in-focus regions.
This is was a hard decision but this was preferable to the other method that was giving poor
opacity masks for foreground and had other more noticeable issues. Do note it is possible
to improve this part in the future if a better alternative is found.
- Use occlusion texture for foreground. Presentation says it wasn't really needed for them.
- The TAA stabilisation pass is replace by a simple neighborhood clamping at the reduce copy
stage for simplicity.
- We don't do a brute-force in-focus separate gather pass. Instead we just do the brute force
pass during resolve. Using the separate pass could be a future optimization if needed but
might give less precise results.
- We don't use compute shaders at all so shader branching might not be optimal. But performance
is still way better than our previous implementation.
- We mainly rely on density change to fix all undersampling issues even for foreground (which
is something the reference implementation is not doing strangely).
Remaining issues (not considered blocking for me):
- Slight defocus stability: Due to slight defocus bruteforce gather using the bare scene color,
highlights are dilated and make convergence quite slow or imposible when using jittered DOF
(or gives )
- ~~Slight defocus inflating: There seems to be a 1px inflation discontinuity of the slight focus
convolution compared to the half resolution. This is not really noticeable if using jittered
camera.~~ Fixed
- Foreground occlusion approximation is a bit glitchy and gives incorrect result if the
a defocus foreground element overlaps a farther foreground element. Note that this is easily
mitigated using the jittered camera position.
|{F9603114}|{F9603115}|{F9603116}|
- Foreground is inflating, not revealing background. However this avoids some other bugs too
as discussed previously. Also mitigated with jittered camera position.
|{F9603130}|{F9603129}|
- Sensor vertical fit is still broken (does not match cycles).
- Scattred bokeh shapes can be a bit strange at polygon vertices. This is due to the distance field
stored in the Bokeh LUT which is not rounded at the edges. This is barely noticeable if the
shape does not rotate.
- ~~Sampling pattern of the jittered camera position is suboptimal. Could try something like hammersley
or poisson disc distribution.~~Used hexaweb sampling pattern which is not random but has better
stability and overall coverage.
- Very large bokeh (> 300 px) can exhibit undersampling artifact in gather pass and quite a bit of
bleeding. But at this size it is preferable to use jittered camera position.
Codewise the changes are pretty much self contained and each pass are well documented.
However the whole pipeline is quite complex to understand from bird's-eye view.
Notes:
- There is the possibility of using arbitrary bokeh texture with this implementation.
However implementation is a bit involved.
- Gathering max sample count is hardcoded to avoid to deal with shader variations. The actual
max sample count is already quite high but samples are not evenly distributed due to the
ring binning method.
- While this implementation does not need 32bit/channel textures to render correctly it does use
many other textures so actual VRAM usage is higher than previous method for viewport but less
for render. Textures are reused to avoid many allocations.
- Bokeh LUT computation is fast and done for each redraw because it can be animated. Also the
texture can be shared with other viewport with different camera settings.
In the Bake > Output panel, there is now a choice between Image Textures and
Vertex Colors. The active vertex color layer is used for baking. This works
with both existing per-corner and sculpt per-vertex vertex colors.
This commit resolves problem introduced in e1665c3d31 - it was
difficult to import media at their original resolution.
This is done by using original resolution as reference for scale.
All crop and strip transform values and their animation is converted
form old files.
To make both workflows easy to use, sequencer tool settings have been
created with preset for preffered scaling method. This setting is in
sequencer timeline header and add image or movie strip operator
properties.
Two new operators have been added:
`sequencer.strip_transform_fit` operator with 3 options: Scale To Fit,
Scale to Fill and Stretch To Fill.
Operator can fail if strip image or video is not loaded currently, this
case should be either sanitized or data loaded on demand.
`sequencer.strip_transform_clear` operator with 4 options:
Clear position, scale, rotation and all (previous 3 options combined).
Reviewed By: sergey, fsiddi
Differential Revision: https://developer.blender.org/D9582
Remove DNA headers, using forward declarations where possible.
Also removed duplicate header, header including it's self
and unnecessary inclusion of libc system headers from BKE header.
In Cycles the volume transmittance is already composited into the color
passes. In Eevee the volume transmittance pass was separate and needed
to be composited in the compositor. This patch adds the volume
transmittance pass direct in the next render passes:
* Diffuse Color
* Specular Color
* Emission
* Environment
This patch includes the removal of the volume transmittance render pass.
It also renames the volume render passes to match Cycles. The setting
themselves aren't unified.
Maniphest Tasks: T81134
This option joins any stroke with an end near the actual stroke. Now it is not limited to the last stroke, any stroke in the same layer for the actual frame can be joined. The join can join two strokes drawing a third stroke.
If the end and the start of the result stroke are very small, the stroke is changed to be cyclic automatically.
There is a limit distance to join the stroke, if the distance is greater than this value, the strokes are not joined. Actually, a constant, threshold distance is used, but we could expose
as a parameter in the UI in the future.
The tool can be used with freehand drawing or with primitives.
Note: Great part of the patch is just a refactor of the old code to make it accessible and to keep code organized.
Reviewed By: mendio
Maniphest Tasks: T82377
Differential Revision: https://developer.blender.org/D9440
Differential Revision: https://developer.blender.org/D8660
This patch is the result of the GSoC 2020 "Editing Grease Pencil Strokes
Using Curves" project. It adds a submode to greasepencil edit mode that
allows for the transformation of greasepencil strokes using bezier
curves. More information about the project can be found
here: https://wiki.blender.org/wiki/User:Filedescriptor/GSoC_2020.
Corrects incorrect usage of contraction for 'it is', when possessive 'its' was required.
Differential Revision: https://developer.blender.org/D9250
Reviewed by Campbell Barton
The adds a new option to simplify volumes in the viewport.
The setting can be found in the Simplify panel in the render properties.
Volume objects use OpenVDB grids, which are sparse. For rendering,
we have to convert sparse grids to dense grids (for now). Those require
significantly more memory. Therefore, it's often a good idea to reduce
the resolution of volumes in the viewport.
Reviewers: brecht
Differential Revision: https://developer.blender.org/D9040
Ref T73201.
Allows scripters to store additional information in the marker itself instead
of using work-around approach based on marker names and such.
Differential Revision: https://developer.blender.org/D8944
Based on the original patch by Vaishnav S (@padthai), this adds
support for temperature units. Initially supported units are Celsius,
Kelvin, and Fahrenheit.
The units aren't used anywhere with this commit. Those changes should
happen in separate patches by adding PROP_TEMPERATURE to RNA property
definitions. But it should be ensured that the various solvers and
simulations actually properly use real units.
The complexity of some of the changes comes from the fact that these
units have offsets from each other as well as coefficients. This also
makes the implementation in the current unit system troublesome.
For example, entering 0C evaluates correctly to 273K, but 0C + 0C
doubles that result, because each unit value is evaluated separately.
This is quite hard to solve in the general case with Blender's current
unit system, though, so it is not handled in this commit.
Differential Revision: https://developer.blender.org/D4401
Sometimes interpolate all frames is not convenient and it's better, for example, interpolate in twos.
The new parameter allows to define the number of frame for each step, by default is set to 1 as before.
{F8812621}
This is a request of animators to improve interpolate tools.
Reviewed By: mendio
Maniphest Tasks: T80190
Differential Revision: https://developer.blender.org/D8723
239b0b
This replaces header include guards with `#pragma once`.
A couple of include guards are not removed yet (e.g. `__RNA_TYPES_H__`),
because they are used in other places.
This patch has been generated by P1561 followed by `make format`.
Differential Revision: https://developer.blender.org/D8466
Keeping face attributes connected is now optional.
Keeping UV's connected is useful for organic modeling, but bad for
architectural.
Differential Revision: https://developer.blender.org/D8360
Support custom-data correction based on surrounding geometry for all
transformation modes of the mesh transform operators.
The is the same logic used in Vert and Edge Slide.
In order not to change the current default behavior,
this property does not affect Vert and Edge Slide modes.
Threaded Sculpt is now always enabled by default. If it causes
performance problems compared single threaded sculpt it should be
considered a bug.
Reviewed By: sergey
Maniphest Tasks: T77638
Differential Revision: https://developer.blender.org/D7960
This revisit the render pipeline to support time slicing for better motion
blur.
We support accumulation with or without the Post-process motion blur.
If using the post-process, we reuse last step next motion data to avoid
another scene reevaluation.
This also adds support for hair motion blur which is handled in a similar
way as mesh motion blur.
The total number of samples is distributed evenly accross all timesteps to
avoid sampling weighting issues. For this reason, the sample count is
(internally) rounded up to the next multiple of the step count.
Only FX Motion BLur: {F8632258}
FX Motion Blur + 4 time steps: {F8632260}
FX Motion Blur + 32 time steps: {F8632261}
Reviewed By: jbakker
Differential Revision: https://developer.blender.org/D8079
This adds object motion blur vectors for EEVEE as well as better noise
reduction for it.
For TAA reprojection we just compute the motion vector on the fly based on
camera motion and depth buffer. This makes possible to store another motion
vector only for the blurring which is not useful for TAA history fetching.
Motion Data is saved per object & per geometry if using deformation blur.
We support deformation motion blur by saving previous VBO and modifying the
actual GPUBatch for the geometry to include theses VBOs.
We store Previous and Next frame motion in the same motion vector buffer
(RG for prev and BA for next). This makes non linear motion blur (like
rotating objects) less prone to outward/inward blur.
We also improve the motion blur post process to expand outside the objects
border. We use a tile base approach and the max size of the blur is set via
a new render setting.
We use a background reconstruction method that needs another setting
(Background Separation).
Sampling is done using a fixed 8 dithered samples per direction. The final
render samples will clear the noise like other stochastic effects.
One caveat is that hair particles are not yet supported. Support will
come in another patch.
Reviewed By: jbakker
Differential Revision: https://developer.blender.org/D7297
Mix up with imapaint.paintcursor & imapaint.paint.paint_cursor
Remove imapaint.paintcursor since it wasn't used.
Also rename paint_cursor_start_explicit() to paint_cursor_start(),
removing the existing paint_cursor_start() since it took the paint
struct from the context, a value that's known by all callers.
The previous naming scheme for the "selected to active" baking options
lead to confusion and they were not describing what they actually did.
To remedy this, I've added a new settings that does what the older setting implied it did.
Reviewed By: Brecht, Dalai, Andy Davies
Differential Revision: http://developer.blender.org/D7733
Germano Cavalcante
Damien Picard
Joseph Eagar
Campbell Barton
Antonio Vazquez
Jacques Lucke
Hans Goudey
Stephen Seo
Alexander Gavrilov
Phoenix Katsch
Jeroen Bakker
Monique Dewanchand
Chris Blackbourn
Julian Eisel
jon denning
Pablo Dobarro
Bastien Montagne
Aaron Carlisle
Brecht Van Lommel
Sebastian Parborg
Martijn Versteegh
Campbell Barton
Bastien Montagne
Germano Cavalcante
Siddhartha Jejurkar
Richard Antalik
YimingWu
Aaron Carlisle
Clément Foucault
Jeroen Bakker
Falk David
Pablo Dobarro
Harley Acheson
Sergey Sharybin